They’ve picked and ranked the following ten tracks, arguing that they showcase The Beatles at their most technically innovative: applying production ideas stunning for their age to make music that sounds as current and powerful today as it ever did. The group’s remarkable thirst for newness, allied with the ingenuity of their producers and engineers at EMI’s Abbey Road Studios, gave rise to cutting-edge sonics and daring studio exploration – now often taken for granted.Īnd there’s no-one better to explain how the group and their collaborators created new sonic worlds than Brian Kehew and Kevin Ryan, authors of the benchmark Beatles-in-the-studio book, Recording The Beatles. Less often mentioned are the groundbreaking production tricks and ideas that made their records the benchmark for creative recording in the last century, and beyond. The Beatles: Get Back is now streaming on Disney +.THE BEATLES’ STELLAR SONGWRITING skills and world-class charm are the staples of pop culture commentary. Jabez Olsen serves as the film’s editor and the music is mixed by Giles Martin and Sam O’Kell. The Beatles: Get Back is directed by Jackson, produced by Jackson, Claire Olsen and Jonathan Clyde, with Ken Comins and Jeff Jones of Apple Corps serving as executive producers. The Beatles: Get Back Saw the Beatles and three-time Oscar-winning filmmaker Peter Jackson are in production for The Walt Disney Studios, in collaboration with Apple Corps Ltd and WingNut Films Productions Limited. On 30 January 1969, the Beatles hosted the final public show of their careers from the roof of their Apple Corps headquarters at 3 Savile Row in the Central London office and fashion district.Īccompanied by keyboardist Billy Preston, the band played a 42-minute set with the band ‘Get Back’ ending before the Metropolitan Police asked them to lower the sound. Success: Earlier this month, Jackson revealed that he had successfully convinced Disney to include the oath in his documentary The Beatles: Get Back (depicted in 2019). Someone else commented: ‘When viewing the Beatles Doc #GetBack, there is a trigger warning at the beginning:’ This scenario contains clear language, mature themes and smoking. Who needs that warning? How weak is society? It’s a goddamn cigarette. But I have to laugh at the disclaimer about people smoking. Due to the time limit I have gone to episode two.
The third wrote: ‘Get back is worth the wait. ‘Īnother suggested that smoking caution seemed odd since members of the band were self-confessing drug users. One fan posted online: Casablanca should be abolished on that basis.
LET IT BE THE BEATLES GENIUS SERIES
The three-part series takes audiences back to the band’s intimate recording sessions and their final 1970 album Let It Be. Meanwhile, viewers were stunned by the ‘alarm’ smoking alarm displayed on The Beatles: Disney + documentaries Get Back.Īll three episodes of the show open with warnings about ‘clear language, mature content and smoking’. Response: Meanwhile, viewers are astounded by the caution of ‘wake’ smoking displayed at The Beatles’ opening: Get Documentaries on Disney + (portrayed by John Lennon)
‘We trimmed it down to four minutes or something because the original is 12 or 13 minutes long … so you get more than you do on a Let It Be album.’ Beatles fans all know that the original is in bootleg. There is only 40, 50 seconds on the Let It Be album, which is like the improvisational song they do. He added: ‘One of the historical Beatles themes is Dig It. I thought: “God, people need to see this. ‘I was watching and listening to these wonderful moments.
LET IT BE THE BEATLES GENIUS MOVIE
‘I felt bad – and this is part of the Beatles fan kicking at me – that anything I didn’t include in this movie could be back in the vault for another 50 years. That is why the period has penetrated to the present day.
He told NME: ‘I just want to say that I haven’t really left anything that I think is important. Delighted: Others, however, praised the documentary series, with one fan calling Jackson a ‘genius’.īut Jackson claims it is essential to use Lindsay-Hogg’s footage liberally, otherwise it could be lost for another 50 years.